Sunday, May 30, 2010

A Very Special Thanks to my Scottish Couples

A fundamental principle of the Celebrant movement is that a well-lived life marks and honors important events, rites of passage, and transitions—those filled with joy, as well as those marked by sorrow. Celebrant-led ceremonies are not merely “events” noting some significant life milestone, but they provide context, resonance, remembrance, understanding, and healing for those involved. I believe that I was drawn to this work, in part, because of the absence of these purposeful rituals in my youth. I knew that as a Celebrant, I would provide an authentic and meaningful service to people with whom I worked. But I did not imagine that my clients would reciprocate in exactly the same way. I could not have known that this work would catapult me to return to the beginning of my own life’s story in a desire to learn more about my life.

My family of origin was a disjointed one, and the circumstances of my upbringing were filled with considerable difficulties and loss—this is not to say that there weren’t heroes around me. I learned many important lessons from my particular situation, and I am unmistakably thankful for those who raised me. My immediate family was small and there was not much detailed discussion of “where we came from.” I had certain awareness that “my people” (on my mother’s side, at least) were German and Danish, but knew little about the details of their travel to America. Intellectually, I realize that we all stand on the shoulders of those who came before us, but that notion had not truly seeped into my marrow. It was only recently that I really grasped that my own surname, the name of my father, is Scottish. This latent appreciation of my own paternal heritage has been remarkably ignited by my Celebrancy practice.

Over the last year, I have worked with a number of brides and grooms from Scotland, most recently Chris and Debbie from Glasgow. Debbie and Chris, along with about three dozen family members and friends (and a bonus Canadian who is the beloved of the groom’s brother), ventured to New York for a sweet Central Park wedding ceremony over the Memorial Day holiday. Chris and Debbie joined my other wonderful Scots—Anne and Gordon, married several months ago, and Gail and her honorary Scottish husband Jason, who wed last summer. These experiences have awakened in me an interest in understanding my own place among the Scots. The sensory delights offered by these weddings have been innumerable—the distinctive Scottish brogue which occasionally confounds me…..the stories and visual appeal of the family tartans….the unmistakable sound of a bagpipe playing those recognizable tunes of the highland…..all struck a chord in my own heart. The Scots that I have been privileged to work with have been warm, kind folks. As I stood in the midst of this extended family on Friday, I could literally see myself in them. I shared their physical characteristics—eye and hair color, complexion, and stature. I really looked (and felt) like I belonged.

It is interesting that this emotional prompting dovetails with the Memorial Day holiday, which at its core is a weighty remembrance of those who have served our country. A few weeks ago, I was searching through old family photographs, to be used in a new website, and I came across a nearly century-old letter that my paternal grandfather (Mr. Ritchie), a low ranking soldier in World War I, sent to the young woman he was courting, who became his wife and is my late grandmother. I spent very little time with these people and did not know them well, but my heart was filled with pride, gratitude, and wonder as I read this letter, which must have been early in their courtship. The penmanship was perfect and words were carefully chosen. My soldier grandfather—a young man of little means and education—wrote simple, but commanding, words about the justice and purpose of this war, The War to End all Wars, as they deemed it. We know, of course, that this fight for Democracy was not the final war. Moreover, the idealistic youth of this soldier was, in the end, filled with generous portions of sadness, including the loss of his second son, who died as a pilot in the Vietnam War.

The combination of my looking into the faces of old photographs, reading the words of my long-dead Scottish grandfather, the national celebration of Memorial Day, and the magical elixir my new Scottish friends sprinkled on my heart have created an irresistible desire to ask simple questions: Where are my people from? And what happened to the young family of that Vietnam soldier, Herman Ritchie, who was lost in service to our country when I was still an infant. During this long holiday weekend, I find myself prowling the internet to begin searching for information. I hope that years from now I will have a journal full of names and dates and places, and perhaps new friends. I am looking for my clan. I would not have imagined that this would be one of the gifts of being a Celebrant. I will report back to you, gentle readers, about my progress on the voyage.

Tuesday, May 25, 2010

Dressed to the Nines














Weddings are a great opportunity to reflect one’s personal style in dress. While many brides and grooms choose traditional western apparel, many do not. For some time, brides and grooms have selected innovative designs and colors for the “second time around.” Likewise, some locations—the beach, for instance—serve as a perfect backdrop for casual wedding garments. But wedding fashions are limited only by a couple’s imagination. Several of my brides have designed and created their own wedding gowns. And for themed weddings (Halloween celebrations, Medieval-inspired weddings, or other affairs), costumes for the couple, guests, and even the officiant are standard fare. Likewise, contemporary weddings, especially in a place like New York, offer couples the rare chance to proudly display garments of their heritage. Scottish grooms, for instance, wear kilts with their clan's particular tartan and adornments. Chinese-American brides may wear a traditional western-styled white dress for the ceremony, changing into a traditional red dress for the reception. Indian bride's highly adorned attire includes gold and silver embroidery, on deep jewel-toned fabric. Sometimes couples choose more subtle additions such as the Swedish bride's jeweled crown. So let your wedding be a blank palate to let your own fashion sense come shining through. The photo above is from a recent Central Park wedding of a stylish British Couple. The groom was in a dapper retro suit (complete with a pocket watch!) and the bride sported a innovative plaid dress, of brightly colored jewel tones, a flattering peplum addition and teal strappy sandals to match.

Wednesday, May 12, 2010

A Pocket full of Posies












In a delightful retro-inspired book I Do! I Do!, Susan Waggoner delightfully provides descriptions of the historical evolution of the traditions of classic Western weddings. Waggoner explains that during the nineteenth century, flowers replaced grasses and herbs carried by brides in the Elizabethan era. The Victorians, who loved plants of all types, used ferns and violets and even indoor trees to decorate the wedding space. They also developed the sprays of flowers that flank the brides and grooms, even today. In contemporary American ceremonies, flowers are used throughout the wedding and reception locations—from rose petals thrown on the aisle as the bride approaches her groom to lavish centerpieces at the reception.

An often overlooked part of this decorative element of the wedding is the wonderful meanings attached to some of our favorite nuptial flowers. These symbolic connections can be gently woven through a bit of the ceremony language, providing another opportunity to subtly personalize the wedding day. Consider some of the “meanings” of just a few popular flowers: daffodil….devotion; lavender….luck; dark pink rose….gratitude; bluebell…..gratitude; orchid….rare beauty; lily….majesty; violet….simplicity; light pink rose….grace; iris….warmth of affection.

Some brides choose favorite flowers or those connected to their birth month.
Likewise, many cultures prize certain flowers during wedding celebrations. For example, the Japanese carry white and purple orchids, jasmine, lotus blossoms, and cherry blossoms. Greek brides carry ivy as a sign of eternal love. Czech brides use rosemary, symbolizing fertility and loyalty, in their bouquets. So as your officiant prepares your wedding ceremony, don’t forget to reflect on your flowers as a symbol of your love.

Sunday, May 2, 2010

Love: The Best Show in Town













About a month ago, I was asked to officiate a wedding in Northern New Jersey, for an energetic young couple. They lost their officiant about 10 days before the wedding—so I was something of a last minute replacement. As a Celebrant, not just a wedding officiant, I try to personalize ceremonies even when I have little time to prepare for the ceremony. The couple was overwhelmed with wedding preparation and other demands, so they had little time to provide information that I might use in the ceremony script. One nugget of information that I unearthed was that they met while rehearsing for the age old classic show “The Music Man.” As I so often do, I turned to friends and colleagues to help me brainstorm about my work. My colleague Jayne, a sometimes actor and Broadway enthusiast, suggested that I look at the lyrics of the famous Music Man song, “Till there was You.” Presto! The lyrics, while dripping with sentimentality, were a great way to wrap up their ceremony…..exactly where the relationship started, at this great American show. You just never know where you’ll find a gem for a wedding ceremony!

Till there was You:

There were bells on a hill
But I never heard them ringing
No, I never heard them at all
Till there was you

There were birds in the sky
But I never saw them winging
No, I never saw them at all
Till there was you

Then there was music and wonderful roses
they tell me in sweet fragrant meadows
of dawn and dew

There was love all around
But I never heard it singing
No I never heard it at all
Till there was you

Then there was music and wonderful roses
they tell me in sweet fragrant meadows
of dawn and dew

There was love all around
But I never heard it singing
No, I never heard it at all
Till there was you
Till there was you

Thursday, April 1, 2010

Dancing into Romance & Love

As a Celebrant I strive to recognize the most important parts of the lives of brides and grooms into their personalized ceremonies. The narrative—an essay chronicling the relationship of the couple—is one of the hallmarks of a celebrant wedding, and it provides a wonderful opportunity to weave the threads of life into a wonderful, one-of-a-kind, compelling rendering of two people falling in love. When getting to know a couple, it is a delicious discovery of who they are that helps develop that perfect wedding.

I recently married a couple that offered some rich choices in writing. Maria and Paul came to me a few weeks ago, wanting to marry on St. Patrick’s day in Central Park, a favorite venue of last-minute unions. Paul, a dashing native of Belfast Northern Ireland, wanted to get married on this day, not only for its cultural significance, but because it was his beloved late grandfather’s birth date. The festivities of this important NYC holiday provided a unique backdrop for a celebration.

Maria, too, came with a fabulously interesting life story. A native Texan, she came to New York as a teenager, to train as a ballet dancer at the School of American Ballet, associated with the New York City Ballet. An international career in dance and a stint at the Dance Theatre of Harlem, were evident in her statuesque figure, grace, and elegance. Maria’s passion gave me an ideal chance to incorporate a favorite wedding passage by Anne Marrow Lindbergh. The reading compares the choreography of a happy marriage with the ease of dance:

“A good relationship has a pattern like a dance and is built on some of the same rules. The partners do not need to hold on tightly, because they move confidently in the same pattern, intricate, but gay and swift and free, like a country dance of the Mozart’s. To touch heavily would be to arrest the pattern and freeze the movement, to check the endlessly changing beauty of its unfolding.”

Congratulations to my splendid international couple! In the words of a recent pop tune, “I hope You’ll Dance……,” for the remainder of your days!

p.s. One of those quintessential NYC wedding moments took place when Paul, the groom, convinced a gifted “street musician” (a classical cellist) to re-locate from the Bethesda Fountain to the Bethesda Terrace, where we hosted the ceremony, and provide the wedding music (for a small donation, of course!). The celebration was enjoyed by all!

Sunday, March 7, 2010

A Little Bit of Mexico in Central Park













As a Celebrant—not simply a wedding officiant—I strive to personalize each of “my” wedding ceremonies, regardless of time constraints or other challenges. With a short turnaround time and other logistical issues, it isn’t always easy to create the unique, detailed ceremonies that move the bride and groom and their guests. But, “I do the best I can….” A couple of weeks ago, I was contacted by an anxious young groom, looking to marry his beautiful Mexican bride in short order. Although they planned a large, religious ceremony in Central America in a few months, for legal issues they needed to conduct a civil ceremony here in New York. As has been the case, lately, he requested a wedding ceremony in the “Ladies’ Pavilion” in Central Park.

The bride and groom were joined by about a dozen loved ones, including members of the bride’s family from Mexico. I gleaned as much of the couple’s story as possible and incorporated those details into the ceremony script. Also, the vows were exchanged bilingually. But, I wanted to do “more” to shine a lot on the significance of the Bride’s home and culture. The couple, after all, had met in Mexico. With only a short time before the gathering, I did some quick research and added a couple of light-hearted elements that—while not exactly a perfect replication of the Mexican traditions—provided a cultural nod to the bride’s family and a few special moments at the wedding.

For instance, in a Mexican wedding, it is customary for the groom to give his bride a wedding present of 13 gold coins, which are blessed by the Priest. The gesture represents the idea of shared prosperity and the groom’s commitment to care for his new wife. Instead, I connected with this tradition by bringing 13 coins in a small fabric bag and presenting it to the bride and groom, as a remembrance of our time together. Among the coins, which I had collected from my own international travels, were ones from various Central American countries. The bride and groom smiled brightly as I passed the memento.

Also, I learned that immediately following a Mexican wedding, the guests surround the bride and groom (standing side-by-side, forming the shape of a heart) as they take their first dance. For our bride and groom, the guests surrounded the couple in a semi-circle and took a vow of community support during the final portion of the ceremony. This vow reminds the couple that these people will support and nurture them through their marriage, the joys, as well as the trials.

I wish my couple well and hope that these little ceremony gestures provided some small, fun—but respective—connections to the bride’s home.

Tuesday, March 2, 2010

The Return of Spring













As a Life-Cycle Celebrant, my role is not only to acknowledge life’s celebrations and rites of passage, but to provide ceremonies of healing. Weddings, civil unions, and commitment ceremonies provide countless opportunities for underscoring the joy of shared lives and the promises of the future. Even vow renewals are happy occasions marking a milestone anniversary. Today, I performed a vow renewal that was a bit of both—a ritual built around healing and celebration.

A few days ago, I was contacted be a fellow from upstate New York. He asked simply if I would perform a vow renewal for him and his wife. I was happy to help and began preparations for a ceremony at dusk, in Central Park. Because we played phone and email “tag,” I wasn’t entirely clear about the ceremony—was this for a wedding anniversary? Some other important day? It was only after we spoke a bit about the specifics of the renewal did he reveal that the couple had been married about four years ago. For most of the third year of their marriage, they were separated. They had recently reunited and were attempting to repair their damaged relationship. So, here we stood in the crisp, snowy park—just the three of us—saying powerful words about renewal, forgiveness, and starting a new chapter in life. In their faces, I felt I could see pain, forgiveness, hope, and fear. My hope as a Celebrant is that this short moment in time provided a bit of healing, encouragement, and a fond memory. Seeing relationships and marriages in peril makes me want to renew my personal vows every day. As I left the Park, I thought about the crocus flowers that are just beneath the blanket of snow…something to look forward to, indeed.